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Aunt wanted
to come out, but the people before her, in their fright and
heedlessness, slammed the door of the box; and there sat our aunt, and
couldn't get out, and couldn't get in; that is to say, she couldn't
get into the next box, for the partition was too high for her. She
called out, and no one heard her; she looked down into the tier of
boxes below her, and it was empty, and low, and looked quite near, and
aunt in her terror felt quite young and light. She thought of
jumping down, and had got one leg over the partition, the other
resting on the bench.
She thought of
jumping down, and had got one leg over the partition, the other
resting on the bench. There she sat astride, as if on horseback,
well wrapped up in her flowered cloak with one leg hanging out- a
leg in a tremendous fur boot. That was a sight to behold; and when
it was beheld, our aunt was heard too, and was saved from burning, for
the theatre was not burned down.
That was the most memorable evening of her life, and she was
glad that she could not see herself, for she would have died with
confusion.
Her benefactor in the machinery department, Herr Sivertsen,
visited her every Sunday, but it was a long time from Sunday to
Sunday. In the latter time, therefore, she used to have in a little
child "for the scraps;" that is to say, to eat up the remains of the
dinner. It was a child employed in the ballet, one that certainly
wanted feeding. The little one used to appear, sometimes as an elf,
sometimes as a page; the most difficult part she had to play was the
lion's hind leg in the "Magic Flute;" but as she grew larger she could
represent the fore-feet of the lion.
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